Carroll / Fletcher

Lucy Parker

Lucy Parker

Writers’ Group

2013, 31′ 32″, HD

1 June – 12 June

 

Screen Shot 2016-05-31 at 16.24.53

 

The Writers’ Group Credits

Gabi Norland

Chin Okoronkwo

Anton Kats

Joseph Browder

Vivianne Brown

Billy Clarke

Brian Ferguson

Luke Garbutt

Grethe Mangala Jensen

Dympna Messenger

Roland Watson

Newham Writers

Peter Bedford Housing Association

Richard Hall

 

Night and Day – The Arena Time Machine

Saturday 28 May, 12pm – Sunday 29 May, 12pm

 

To celebrate the 40th anniversary of the BBC’s arts documentary strand Arena, the programme’s Series Editor Anthony Wall and Film Editor Emma Matthews have created Night and Day – The Arena Time Machine, a 24-hour audio-visual experience evoking a day in the life of the planet in early summer. Drawn exclusively from Arena’s archive of over 600 films, Night and Day is edited to link the time in the film to the time in the location of the screening – if it’s dawn on the screen, it’s dawn outside the gallery.

“To begin at the beginning…” recites Dylan Thomas, as the darkest hour gives way to dawn over Laugharne, the Welsh fishing village of Under Milk Wood. The sun rises on Mandela’s Robben Island, Van Morrison’s Ulster, Eric Sykes’s London, Sonny Rollins’s New York, Bluefields Nicaragua, the Mali desert and the Iron Curtain; scenes all drawn from Arena films.

The day progresses through work and school, to Lady Naipaul preparing lunch, in parallel with the Rasta community of Bull Bay, Jamaica; and Anita Ekberg who muses over the most beautiful women in cinema, as she seasons the chicken. In Mexico City, Buñuel gives his recipe for the perfect dry Martini; in Montserrat, George Martin gives his. Burroughs and Warhol enjoy Lapin au Moutarde in the Chelsea Hotel; Galton and Simpson take us to their favourite restaurant in Twickenham; Elvis’s relatives catch squirrels in Mississippi; and rock star Cui Jian, whose songs were the anthems of the students in Tiananmen Square, sits at the table with his family in Beijing.

And so the day goes on through the afternoon, to the strange and beautiful hour of the gloaming; to dinner and the attractions of the night through the dreams of George Wendt’s latter day Oblomov, Edna Everage, Ionesco, Roy Plomley, Jean Genet and David Bowie; before returning to the darkest hour just before dawn and Dylan Thomas. The film will be available to stream on laptops, mobiles and tablets via Carroll / Fletcher Onscreen. It will also be simultaneously screened at Carroll / Fletcher’s Eastcastle Street gallery, where visitors are welcome to stay for the whole duration, to drop in, or to keep popping back at different times of the day or night.

 

24 hour Grid

 

 

Arena

Since it was first broadcast in October 1975, BBC TV’s Arena has produced over 600 films, won 9 BAFTA Awards and 25 BAFTA nominations, 6 Royal Television Society Awards, 6 Broadcasting Press Guild Awards, the Prix Italia, a Grammy, Primetime and International Emmys, a Peabody Award and the special medallion at Telluride in 2000. Arena is the world’s longest-running arts documentary strand. The programme is distinguished by an unbroken editorial and aesthetic sensibility, from Leslie Megahey (1977- 79) to Alan Yentob (1979-1985), Nigel Finch and Anthony Wall (1985 until Finch’s death in 1995) and Wall’s sole editorship to the present day. From the first edition in 1975, which featured Laurence Olivier discussing the remarkable life of Lilian Baylis (the founder of the National Theatre) and David Hockney painting sets for the Stravinsky opera The Rake’s Progress at Glyndebourne, Arena has never failed to attract the great names of art, cinema, music, literature and academia. Versions of Night and Day – The Arena Time Machine have been screened at: Telluride Film Festival, USA, 2015; Cambridge Film Festival, UK, 2015; Cambridge Festival of Ideas, UK, 2015; Brighton Film Festival, UK, 2015; Dingle Film Festival, Ireland, 2016; New York University, USA, 2016.

 

Film Credits: Directors ANTHONY WALL, EMMA MATTHEWS; Film Editor EMMA MATTHEWS; Production Manager CAROLINE SUTTON; Online Producer ALEX JONES; Technical Consultant ANDY ARMSTRONG; Research and Additional Editing ISOBEL GOODRICH; Archive Producer ANDREW WRIGHT; Screening coordinator ROSY RICKETT; Arena Series Editor ANTHONY WALL

 

 

Purchasing a website – frequently asked questions

What does the purchaser buy?

The Artist provides the purchaser with (i) a data storage device containing digital files of the source code, (ii) a certificate of authenticity for the work generated by Ascribe (a system that tracks the ownership and, hence, effectively guarantees the provenance of the work), (iii) a video file that documents the website – the ‘look and feel’, the individual pages and the functionality, and (iv) the right to lease the domain name (URL) with the first three years paid up.

Does the purchaser have any responsibilities?

Yes.  The purchaser is contractually bound to renew the domain name and hosting to ensure that the work is continuously online and publicly accessible.  In the event that the purchaser does not fulfill these responsibilities, the ownership of the work reverts to the artist.

Is the purchaser credited in any way?

Yes. The name of the purchaser is added to the source code of the work and the tab and address bar may be amended to included the name of the purchaser.  For example:

wwwwwwwwwwwwww.net – the collector is credited in the tab, the history cache and the source code;

http://www.collection.evan-roth.com/olia_lialina/clear.gif – the url has been updated to include the name of the collector

What if the cost of fulfilling these responsibilities becomes onerous?

The purchaser may, at any time, transfer ownership of the work to the artist.

What if it is no longer technically feasible to maintain the work?

If, despite the best efforts of the owner, the work can no longer function as a web-based work then the work will become the source code and video file that documents the work.

How can I obtain a copy of a sales contract?

In general, sales are based on Evan Roth’s Web Sales Contract.  The contract builds upon Seth Siegelaub and Robert Projansky’s The Artist’s Reserved Rights Transfer and Sale Agreement and Rafael Rozendaal’s Web Sales Contract.