Carroll / Fletcher

Odds & Ends VII – Feminist Origins and Body Anxiety

VDB TV – The Feminist Origins

“In April 1974, Video Data Bank co-founders Lyn Blumenthal and Kate Horsfield conducted their first interview, an in-depth conversation with art historian and curator Marcia Tucker. During the remainder of that year, Blumenthal and Horsfield went on to interview four more notable art world women: Joan Mitchell, Lucy Lippard, Agnes Martin and Ree Morton.  Seen together, these five interviews mark a seminal moment in the history of 20th Century art, a moment in which women artists were increasingly being asked to define and position their practice within the growing feminist movement… [read more and watch the interviews here].

Body Anxiety – an internet exhibition

“Body Anxiety shares the varied perspectives of artists who examine gendered embodiment, performance and self-representation on the internet. Throughout art and film history, the female body and nude has been an ongoing subject in male-authored work. More often than not, the woman’s body is capitalized on in these works while their voice is muted. From the Seventies onwards, female artists employed video and performance to reclaim their bodies from this art historical trajectory. Today, artists use the internet as a platform to create and share their own imagery. While appropriation might be a common practice in contemporary art, using the internet as gender-queer performative space allows artists to question contemporary attitudes towards femininity. In “Body Anxiety” Schrager and Chan have selected a collection of female-empowering artworks to present in one single location in hopes of reshaping pre-existing narrative of gendered appropriation… [read more and view the exhibition here]”.

“Think of sex-divided wash-rooms and fashion stores.  Public spaces are gendered spaces; the web is gendered space. Once you reveal yourself to be a female-identified user, people treat you like one. On the internet I cannot escape who I really am, I can only abandon my body.  The internet has allowed women and gender-queer people to  reinvent and explore sexual identities by sharing self-imagery that radically differ from the limited versions of femininity seen in pop culture.”  From Jennifer Chan’s essay, How We Become Objects, that accompanies the exhibition (read more here).

Courtesy of curators Jennifer Chan and Leah Schrager, and artists Alexandra Marzella, Andrea Crespo, Angela Washko, Ann Hirsch, Aurorae Parker, Endam Nihan, Erika Alexander, Faith Holland, Georges Jacotey, Hannah Black, Kate Durbin, Marie Karlberg, Mary Bond, May Waver, Nancy Leticia, Rachel Rabbit White, Leah Schrager, RaFia Santana, Randon Rosenbohm, Saoirse Wall, Victoria Campbell.

“Anxiety is an emotion characterized by an unpleasant state of inner turmoil, often accompanied by nervous behaviour. It is the subjectively unpleasant feelings of generalised dread over anticipated events. Anxiety is not the same as fear, which is a response to a specific real or perceived immediate threat; whereas anxiety is the expectation of a future more generalised threat.  Anxiety can be appropriate, but when experienced regularly the individual may suffer from an anxiety disorder that severely impacts upon behaviour and feelings of well being.” Adapted from Wikipedia.

Courtesy of Ann Hirsch.

Shulasmith Firestone – The Dialectic of Sex: the case for feminist revolution

In this ground breaking text from 1970, Shulasmith offers a radical view of the second wave feminist movement for social equality.  Her aim is to break free from oppressive power structures set up by nature and enforced by men.  In true manifesto-style, the book’s final chapter makes four demands:

1.The freeing of women from the tyranny of their reproductive biology by every means available, and the diffusion of the childbearing and childrearing role to the society as a whole, men as well as women.

2.The full self-determination, including economic independence, of both women and children.

3.The total integration of women and children into all aspects of the larger society

4. The freedom of all women and children to do whatever they wish sexually.

The Dialectic of Sex has recently been republished by Verso.

BBC Radio 4 In Our Time on Feminism

With Dr Helena Cronin, Co-director of the Centre for the Philosophy of the Natural and Social Sciences, London School of Economics; Dr Germaine Greer, Professor of English and Comparative Studies, Warwick University.  Listen here.

Critical Perspectives on Pornography – an episodic internet essay

“As a change from single-screen films, this week’s CarrollFletcherOnscreen brings together a series of URLs that link to a selection of films, performances, texts and websites that critically reflect on pornography as an industry, as a literary and film genre and as a pervasive part of everyday life…[here].”

Thanks to Susan Sontag, Omer Fast, Joshua Cohen, Addie Wagenknecht, Ann Hirsch, Lora Hristova and Faith Holland.

Courtesy of Faith Holland.  Original video can be seen in situ here: redtube.com/755207

 

 

 

 

 

Projection on the Crisis

Philipp Gufler

Projection on the Crisis

2014, 36’19”, 16:9

28 May – 15 June 2015

 

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Synopsis

Consisting of three parts – a video installation, a screen print naming the authors of the filmed objects and a book published by HAMMANN & VONMIER – Projection on the Crisis provides a kaleidoscopic view of the beginning of the AIDS crisis in Munich in the 1980s. The video transfers the spectator into a classical white cube gallery setting, where Gufler presents documents collected from the archive Forum Homosexualität München e.V. in chronological order and complements them with recent works by artist friends. The exhibition was conceived for the filming, a film set that was never open to the public, thus the exhibition remains as a purely virtual space. The artist’s playful handling of different levels of representation can be understood as a comment on the problematic relationship between homosexuality and history. The posters, art works, newspapers and  TV footage, which can be found partly in the accompanying book, are captured by a fluid camera motion and reveal a discussion about sexuality, love, morality and death quite similar to those we have today. The infamous Peter Gauweiler (former Bavarian State Secretary) and the then Bavarian Minister of Education, Hans Zehetmair, answer the emergence of the AIDS epidemic with the most drastic and shocking proposals; the prevention of the disease is not at the forefront of Gauweiler’s Maßnahmenkatalog and Zehetmair’s rhetoric, instead the exclusion and ultimately the extinction of the “germ carrier,” ie the homosexuals, takes centre stage. Gufler opposes these homophobic resentments with the emancipatory battle cries of Munich’s gay and lesbian movement and, thus, draws an oscillating image of Munich and at the same time German history.

Participants: Maximiliane Baumgartner, Adrian Djukic, Gursoy Dogtas, Florian Gass, Albert Knoll, Dr. med. Hans Jäger, Stephan Janitzky, Richard John Jones, Simon Leahy, Stefanie Hammann, Maria Mier, Mirja Reuter, Lisa Schairer, Barbara Spiller and Guido Vael.
Text: Nicholas Maniu

“The exhibition was never public, I installed it only for filming. I wanted to highlight the moment of staging history, how history has to be reproduced and is restaged all the time, fragile and liquid in its meaning. What stories are excluded? By asking why this part of recent German history is so rarely known outside a gay and lesbian scene I wanted to ask more general questions on representation and power. I included archive materials in the timeline which are reflecting, e.g. my mirrors, to make our camera and me filming and guiding the viewer through the exhibition visible.” Philipp Gufler in conversation with Carroll/FletcherOnscreen.

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Bio

The artist Philipp Gufler (1989) lives in Munich. His work spans a variety of media (prints, performances, video and more). He studied at the Academy of Fine Arts in Munich, the Academy of Design Karlsruhe, and the University of Amsterdam. His work has been shown at “Loop” in Barcelona, Kunstverein München, “Videonale15” at Kunstmuseum Bonn and in the galleries Françoise Heitsch in Munich and Sassa Trülzsch in Berlin. Since April 2013, Gufler has been conducting research in the archives of Forum Homosexualität München e.V. and since October 2014 he is part of the committee at Lothringer13Florida, an artist-run space by the city of Munich.

Filmography

2014: “Interview with Erich Haas” (w/ Liane Klingler), 24 Min., HD, Sound, Farbe
2014: “Projection on the Crisis (Gauweilereien in Munich)”, 36 Min., HD, Sound, Farbe
2014: “Portraiture as Crisis”, 9 Min, HD, Sound, Farbe
2012: “Eingebildete Männlichkeit”, 23 Min, Videoinstallation, HD, Sound, Farbe
2012: “Next year in Bad Tölz” (w/ Maxi Baumgartner, Florian Gass, Mirja Reuter, Max Schmidtlein and Lisa Schaierer), 9 Min, Videoinstallation, HD, Sound, Farbe
2011: “Ritual of Farewell”, 6 Min, Super 8 Digital Transfer, Farbe,
2010: “Pfaueninseln” (w/ Salong), 30 Min, Farbe, Sound,

Solo Exhibitions

2014: “Zirkeltraum”, Françoise Heitsch, Munich
2014: “Gauweilereien”, Schwules Museum*, Berlin
2013: “42”, Galerie Sassa Trülzsch, Berlin
2012: “Quecksilberwand”, Wolff Verlag, Berlin
2012: “Eingebildete Männlichkeit”, Akademie Galerie, Munich

Awards

2012: Recipient of the city of Augsburg art award
2014: Award by the Academy of Fine Arts Munich foundation for “Projection on the Crisis“
2014: Recipient of the Bayernwerke art award for “Projection on the Crisis”
2015: Recipient of the art award by the bavarian state
2015-2017: scholarship at De Ateliers, Amsterdam (NL)

Links

Philipp’s website here.

Philipp’s videonale.15 page here.

Here’s the Forum Homosexualität München e.V. where Philipp has been researching.

Philipp’s pages at Francoise Heitsch here.

And an interview (in German) here.

You can find more about the publication at Hammann & VonMier’s website here (it’s worth €14 and more!).

 

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MY BBY 8L3W and BUCK FEVER

NEOZOON

MY BBY 8L3W

2014, 3’03”

19 May – 27 May 2015

 

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Synopsis 

Cutesy collage of YouTube films in which women over-enthusiastically introduce us to their pets, declare their love for them, become increasingly intimate with them,…

 

NEOZOON

BUCK FEVER

2012, 5’50”

 

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Synopsis

Buck Fever is a collage of amateur recordings drawn from YouTube of hunters stalking then killing then celebrating their prey.  The film captures the tension as the hunters close in on their target then the relief and elation after shooting the animal.  Finally, the hunters are seen posing in front of the camera with their trophy as they express their feelings towards the animal and the hunt.

 

Biography

NEOZOON is a female art collective founded 2009 in Berlin and Paris. Their work focuses on the relationship between animals and humans, and how modern societies deal with both dead and living animals. Neozoon actions take place in public spaces: city streets, public institutions and the web. Their artistic mediums range from collage to installations and film. Recycling found footage is also a recurring element in their work, where the group often employs amateur videos from YouTube. Amongst others their work has been shown at the Centre Pompidou in Paris, the Internationale Kurzfilmtage in Oberhausen, the ZKM in Karlsruhe, videonale.15 in Bonn and at the IFFR in Rotterdam. In Summer 2015 BUCK FEVER will be shown at Kunstwerke Berlin and currently the art collective is preparing a public space installation in Munich.

 

Filmography

2010 “Das Manteltier”, 03:30 min., DV, colour, sound, with french and english subtitles

2011 “good boy – bad boy”, 03:14 min., digital file, colour, sound

2012 “buck fever”, 05:50 min., digital file, colour, sound

2013 “unboxing eden”, 04:54 min., digital file, colour, sound

2013 “big game”, 07:15 min., digital file, colour, sound, five track installation

2014 “MY BBY 8L3W”, 03:03 min., digital file, colour, sound

2015 “call of the other kind”, 03:50 min., digital file, colour, sound

 

Awards

2012 First Prize in the German Competition, European Unlimited Short Film Festival, Cologne (D)

2013 First Prize in the International Competition, 15th Festival of Different and Experimental Cinemas, Paris (F)

2014 Best Experimental Short, Cannes Short Film Festival (F)

 

www.neozoon.org

neonzoon at videonale.15 here.